My top recommended room mic for drums is the Audio-Technica AT4050. Its three pickup patterns make it a flexible choice for different rooms and mic positions.

My second recommended room mic is the Royer R-10, a ribbon option for a room track with less emphasis on the cymbals’ top end. For an inexpensive mono track to compress heavily, I recommend the Shure SM57.

The 6 Best Room Mics for Drums ([year])

Top Pick

Audio-Technica AT4050

Flexible multipattern room microphone

View Price

Ribbon Pick

Royer R-10

Passive ribbon for mono ambience

View Price

Pattern Options

LEWITT LCT 441 FLEX

Compact condenser for pickup-pattern experiments

View Price

Pro Controls

AKG C414 XLS

Fine pattern, attenuation and filtering control

View Price

Home Studio

RØDE NT2-A

Multipattern home studio room and vocal mic

View Price

Budget Pick

Shure SM57

Budget mono character room track

View Price

1. Audio-Technica AT4050

Top Pick - Flexible multipattern room microphone

View Price at AmazonView Price at SweetwaterView Price at Thomann

The AT4050 is a sensible place to start when you want one microphone that can adapt to different rooms. It is a large-diaphragm condenser with cardioid, omnidirectional, and figure-8 patterns, plus a 10 dB pad and an 80 Hz high-pass filter. Those controls are useful because room-mic placement often changes between sessions.

Try cardioid facing the kit for a relatively direct picture, then compare omni from the same position to hear more of the space. Figure-8 offers another option: its side nulls can help you reduce a troublesome reflection or another instrument, provided you also account for what is behind the mic. Record a short passage at each setting and listen alongside the overheads.

The supplied shock mount is helpful on a floor that carries kick-pedal vibration. Leave the high-pass filter off initially if you want the room channel to contribute kick and floor-tom body; engage it when low-frequency rumble is the problem. My recommendation here is about flexibility. You still need to find a position where the cymbals, snare, and bass drum sit together naturally, and the AT4050 needs a preamp supplying 48 V phantom power.

2. Royer R-10

Ribbon Pick - Passive ribbon for mono ambience

View Price at AmazonView Price at SweetwaterView Price at Thomann

The Royer R-10 is the ribbon option I would consider for a room track with less emphasis on the very top of the cymbal sound. Royer specifies a 30 Hz–15 kHz response within ±3 dB and explicitly includes drum room miking among its applications. It is a passive mono ribbon with a figure-8 pattern.

That pattern hears the front and rear of the microphone while rejecting sound at the sides. Put some thought into the rear lobe: pointing it toward an unpleasant nearby wall can undermine the placement. Rotating the mic can be more useful than immediately reaching for EQ, particularly when a side null can face a reflective surface.

A single R-10 a few feet in front of the kit is a practical starting point for a compressed rock room track. Move it to balance shell weight against cymbal wash before adding compression. A quieter or more distant recording needs sufficient clean preamp gain, so check that part of your setup before buying.

The R-10 has an internally shock-mounted ribbon and a protective windscreen system, but it still deserves careful handling. Keep it away from strong air blasts and follow Royer’s connection instructions. Its high SPL capability is frequency-dependent; a headline rating at 1 kHz does not mean every placement is equally safe.

3. LEWITT LCT 441 FLEX

Pattern Options - Compact condenser for pickup-pattern experiments

View Price at AmazonView Price at SweetwaterView Price at Thomann

The LCT 441 FLEX gives you eight polar patterns in a compact condenser. Its selection includes omni, wide cardioid, cardioid, supercardioid, figure-8, and three reversed directional patterns. That makes it a useful purchase for a drummer learning how pickup direction changes a room recording.

Wide cardioid is worth trying when standard cardioid feels too focused on the front of the kit, but omni brings in too much of the rest of the room. The reversed patterns change which side of the capsule is the main recording direction. They can simplify a placement where the stand and microphone controls are awkward to reach. They do not reverse the timing of the recording or remove reflections.

LEWITT includes a shock mount, magnetic pop filter, windscreen, and transport bag. The shock mount has more relevance to this job than the pop filter, though the additional accessories also suit vocal recording. It runs on 48 V phantom power.

There is no onboard pad or low-cut switch. For a loud kit or a position closer to the drums, watch the microphone and preamp limits separately. A preamp pad protects its input stage but cannot undo distortion already produced inside a microphone. Choose the FLEX for its pattern choices and compact housing, with filtering available later in your recorder or DAW.

4. AKG C414 XLS

Pro Controls - Fine pattern, attenuation and filtering control

View Price at AmazonView Price at SweetwaterView Price at Thomann

The C414 XLS is the option for a recording space where you want detailed control at the microphone. It has nine pattern settings, three attenuation levels, and low-cut choices at 40, 80, and 160 Hz. The XLS is the version to look for here; the C414 XLII is a separate model with different voicing.

The intermediate pattern settings let you make smaller changes between the main pickup shapes. That can help when you have found a promising position but want to adjust the balance of direct drums and reflected sound without moving the stand. Its overload warning also helps you notice peaks that would be easy to miss while watching the DAW from across the room.

The filter choices need restraint on a full-kit room channel. A 160 Hz low cut can remove useful weight from the bass drum and toms, even if it tidies the track when heard alone. Try the lowest setting that solves the actual problem, then evaluate the full drum mix.

AKG also sells a matched-pair package for stereo recording. The single-microphone version is enough for a mono room track. I would put the XLS on a shortlist for a studio that records varied instruments and needs these controls regularly; a simpler microphone is easier to justify when you only need occasional drum ambience.

5. RØDE NT2-A

Home Studio - Multipattern home studio room and vocal mic

View Price at AmazonView Price at SweetwaterView Price at Thomann

The NT2-A is a useful home-studio choice when the same microphone will record drums, vocals, and other acoustic instruments. It offers cardioid, omni, and figure-8 patterns, selectable pads of −5 and −10 dB, and 40 or 80 Hz high-pass filtering. It requires 48 V phantom power.

For a first mono room recording, start with cardioid and the controls set flat. Find a position with a convincing whole-kit balance, then compare omni if the room sounds good. The switches are on the microphone body, so these changes are straightforward without navigating software or reaching around a rack.

The NT2-A weighs roughly 860 grams before adding its mount. Use a stand that can hold it securely at your intended boom extension. A microphone slowly drifting downward during a take changes the recording and can become a physical nuisance around a drum kit.

Check the listing contents when comparing sellers: the Studio Solution package commonly includes the SM6 shock mount and pop filter, but accessory bundles can vary. The microphone itself is the relevant model. Its low-noise design is useful for quiet instrumental work between drum sessions, though noise specifications alone offer little guidance on whether your room has a pleasant decay.

6. Shure SM57

Budget Pick - Budget mono character room track

View Price at AmazonView Price at SweetwaterView Price at Thomann

The SM57 earns its place here as a mono character mic. It is a cardioid dynamic with a contoured 40 Hz–15 kHz frequency response, so I would buy it for a focused ambience layer that can take heavy processing. A broad, natural stereo room picture calls for a different approach.

Place it in front of the kit or try a position that hears more shells and less cymbal wash. Record a few snare hits and a full groove, then add compression in the DAW. Bringing this track up underneath the close mics can contribute sustain and movement without needing a second matching microphone or another stereo input pair.

It needs no phantom power, and the supplied clip keeps setup simple. There are no pattern, pad, or filter switches. Its lower output compared with many condensers matters more when the mic is far from a quietly played kit: enough clean preamp gain is useful, and heavy compression will bring up background noise too.

If you already own an SM57 for snare, borrow it for a room experiment before deciding what to buy. Hearing what an extra ambience track contributes will help you choose between a dedicated ribbon, a multipattern condenser, and another general-purpose dynamic.

How to choose a room mic for drums

Listen to the room before choosing the pattern

Have someone play while you move around the room. Listen for a place where the kick has body, the snare decay is pleasant, and the cymbals avoid dominating everything. A corner may exaggerate low frequencies; a low ceiling can create an obvious short reflection. Move the microphone and adjust treatment before assuming another model will solve the problem.

Cardioid, omni, and figure-8 capture different balances of direct and reflected sound. Omni can be effective in a good room, but it also hears unwanted noise all around the mic. A figure-8 ribbon has useful side nulls and a rear lobe that needs attention. A tighter pattern still captures reflections arriving from its sensitive directions.

Choose mono or stereo based on the mix

One mono room mic needs one preamp channel and can sit firmly in the middle of the mix. It is a good first step for rock, demos, and smaller recording spaces. A stereo pair can communicate the size and width of a room, but it uses two inputs and needs careful placement and mono checks. Buying a pair makes more sense once you know the space contributes something worth capturing.

Check the complete recording chain

Allow for the stand, mount, cable, and another recording input. Condensers need phantom power; passive ribbons and dynamics can need more gain at a distance. Our guide to audio interfaces for recording drums covers the input count and connections. Keep room and overhead duties clear: overhead microphones commonly provide the main cymbal and whole-kit picture, while a room track adds a more distant perspective.

Room mic questions

How far should a room mic be from the drums?

A few feet in front of the kit is a useful starting point, then move farther away to hear more room. The right distance depends on the room dimensions, ceiling, playing volume, and the role of the track. Monitor a short recording with the close mics rather than judging the room mic alone.

Should I align the room mic with the close microphones?

The room signal arrives later because sound travels farther. That delay contributes to its sense of distance. Listen before moving it in the DAW: alignment changes the character and can affect the combined tone. A polarity switch is a separate tool; it inverts the waveform and does not correct every timing relationship.

Can a room mic help an electronic drum recording?

A mic near an unamplified electronic kit mostly records stick, pad, and pedal noise. For a clean electronic drum track, record the module’s audio outputs or MIDI. A room mic becomes relevant when you deliberately record the kit through speakers or combine electronic sounds with acoustic drums. Our drum recording guide explains the main recording routes.

The post The 6 Best Room Mics for Drums of 2026 appeared first on Electronic Drum Advisor.

My top recommended drum set is the Yamaha SBP2F50 Stage Custom Birch – Raven Black, with its expertly crafted 100% birch shells and air seal system that ensures robust, responsive tones suited for any playing style.

My second recommended drum set is the Alesis Nitro Max, which stands out with its quiet mesh pads, Bluetooth capability, and a rich library of 440+ authentic sounds.

To create a comprehensive guide on the best intermediate drum kits, I analyzed specs, which included shell material, drum sizes, included cymbals and hardware, and the ability to customize and expand the set. Additionally, I considered factors such as ease of setup, adjustability for different body sizes and playing styles, and the overall aesthetic appeal of the kits.

The 10 Best Intermediate Drum Sets ([year]) – At A Glance

Our Top Pick

Yamaha SBP2F50 Stage Custom Birch - Raven Black

Five-piece birch shell pack with a 22-inch bass drum.

View Price

Budget Pick

Alesis Nitro Max

Mesh-pad electronic kit for practice and play-along tracks.

View Price

Pro Option

Roland TD316

V31 module, positional snare and stand-mounted hi-hat.

View Price

Gretsch Catalina Maple CM2-E605 - Antique Maple

Five-piece maple shell pack with current CM2 mounting hardware.

View Price

And now onto the full list:

1. Yamaha SBP2F50 Stage Custom Birch - Raven Black

Top Pick - Five-piece birch shell pack with a 22-inch bass drum.

Five-piece birch shell pack with a 22-inch bass drum.

View Price at SweetwaterView Price at Thomann

The Yamaha SBP2F50 Stage Custom Birch is my general acoustic pick for an intermediate drummer. This Raven Black configuration uses a 22-inch bass drum and five birch shells. It is a shell pack, so it makes most sense if you already own suitable cymbals, a bass pedal, stands and a throne.

The 22-inch bass drum gives you a conventional setup for rock, pop and rehearsal-room playing. The supplied 10-inch and 12-inch rack toms, 16-inch floor tom and 14-inch snare cover a useful tuning range. Allow for their full packed dimensions when comparing this kit with compact 16-inch or 18-inch options.

Specs

• Configuration: 5-piece shell pack
• Composition: 22″ kick, 10″ and 12″ rack toms, 16″ floor tom, and 14″ snare
• Material: Birch
• Color: Raven Black

2. Alesis Nitro Max

Budget Pick - Mesh-pad electronic kit for practice and play-along tracks.

Mesh-pad electronic kit for practice and play-along tracks.

View Price at AmazonView Price at SweetwaterView Price at Thomann

The Alesis Nitro Max is an affordable e-drum option with a standout drum module with 60 different songs to play with, a sequencer to create beats, a reliable metronome to stay in time, and easy wireless streaming to fill the room with music.

This tech gives drummers a powerful place to get better or make new music, while letting them play with a range of high-quality sounds. I appreciate the top-notch sound and many ways to change the settings, along with a big collection of sounds that let you make all sorts of music.

Electronic drummers no longer have to settle for less. The main feature of this kit is a 10-inch mesh snare pad that gives you plenty of space to play. You have over 440 drum and cymbal sounds to choose from. You can change each sound in detail, so your drum set feels like it’s truly yours.

Specs

• Configuration: 5-piece electronic kit with three cymbal pads
• Composition: Kick tower and pedal, 10″ snare, 3 x 8″ toms, 10″ hi-hat, 10″ crash and 10″ ride
• Material: Mesh snare and tom heads
• Drum Module: Nitro Max

3. Roland TD316

Pro Pick - V31 module, positional snare and stand-mounted hi-hat.

V31 module, positional snare and stand-mounted hi-hat.

View Price at SweetwaterView Price at Thomann

The Roland TD316 is the electronic upgrade pick here. Its V31 module supports USB-C audio and MIDI for recording, Bluetooth audio for play-along tracks, and sample import. The positional PD-12P snare and stand-mounted VH-10 hi-hat give you more expressive control than a basic practice kit.

You get two PD-8H toms, one PD-10H tom, a KD-10 kick tower, two CY-12C-T crashes and a CY-14R-T ride on the MDS-Compact 2 rack. The hi-hat stand, snare stand, kick pedal and throne are separate purchases. Mesh heads reduce room noise, but pedal impacts still matter in apartments.

Coach tools support structured practice, while one digital trigger input allows a later pad upgrade. The included pads use conventional connections; budget for an optional digital pad separately.

Specs

• Configuration: 5-piece electronic kit with three cymbal pads
• Composition: PD-12P snare, PD-8H x 2 and PD-10H toms, KD-10 kick, VH-10 hi-hat, CY-12C-T x 2 crashes and CY-14R-T ride
• Material: Mesh snare and tom heads
• Drum Module: V31

4. Gretsch Catalina Maple CM2-E605 - Antique Maple

Five-piece maple shell pack with current CM2 mounting hardware.

Five-piece maple shell pack with current CM2 mounting hardware.

View Price at Sweetwater

The Gretsch Catalina Maple CM2-E605 keeps the five-piece, 20-inch-bass layout while updating the mounting and snare hardware. The Antique Maple finish is matched to the offers here. Its seven-ply maple shells and 30-degree bearing edges make it a useful acoustic option for rehearsal, recording and smaller live setups.

The 10-inch and 12-inch rack toms, 14-inch floor tom and 14-inch snare form a conventional five-piece layout. The 20-inch bass drum can be easier to position than a larger kick, particularly when you prefer lower rack toms. Check the supplied tom mounting against the cymbal stands you intend to use.

Choose this shell pack if you already have hardware and cymbals you like. The current GTS mounting system and revised snare throw-off are practical reasons to consider the CM2 generation. Head choice and tuning remain important, so allow time to set the drums up for your room and playing style.

Specs

• Configuration: 5-piece shell pack
• Composition: 10″ and 12″ rack toms, 14″ floor tom, 20″ bass drum and 14″ snare
• Material: Maple
• Color: Antique Maple

5. Tama Superstar Classic CL52KS - Caribbean Lacebark Pine Fade

Five-piece maple shell pack in Caribbean Lacebark Pine Fade.

Five-piece maple shell pack in Caribbean Lacebark Pine Fade.

View Price at Amazon

The Tama Superstar Classic CL52KS is the full-size five-piece maple option here. The selected Caribbean Lacebark Pine Fade kit has a 22-inch by 18-inch bass drum, with 10-inch and 12-inch rack toms, a 16-inch floor tom and a 14-inch snare. It is a shell pack for drummers who already have their preferred hardware.

The STAR-MOUNT system supports the toms without fastening a large mounting bracket directly to their shells. Low-mass lugs leave much of the shell surface free. Those features are useful, but your head selection and tuning will still determine how much sustain you want for close-miked gigs or a live rehearsal room.

The wood-grain Caribbean finish is distinct from the older Tangerine Lacquer Burst version. Check the CL52KS model code carefully: similarly named regional sets can have shallower toms, a different bass-drum depth or an included hardware pack. Compare the whole configuration rather than choosing from the finish name alone.

Specs

• Configuration: 5-piece shell pack
• Composition: 22″ x 18″ bass, 10″ x 8″ and 12″ x 9″ toms, 16″ x 14″ floor tom and 14″ x 6.5″ snare
• Material: Maple
• Color: Caribbean Lacebark Pine Fade

6. Pearl Midtown MT564C747 - Matte Red

Compact 16-inch poplar kit with stands and a bass pedal.

Compact 16-inch poplar kit with stands and a bass pedal.

View Price at SweetwaterView Price at Thomann

The Pearl Midtown MT564C747 is the compact acoustic option for an intermediate player. The Matte Red package has a 16-inch bass drum, a 10-inch rack tom, a 13-inch floor tom and a 13-inch snare. Unlike a bare shell pack, this configuration includes stands and a bass pedal, which helps if you are assembling a portable setup.

The OptiLoc tom mount and bass-drum riser support a conventional seated layout around the smaller drums. The riser helps place the beater on the 16-inch head. The small bass drum and compact toms are convenient for crowded stages and transport, though a loud band will normally need microphone support for the kick.

The supplied hardware includes hi-hat, snare and boom cymbal stands plus the bass pedal. Cymbals and a throne are extra, so check those costs and packed dimensions before choosing the kit. Its poplar shells suit a practical travel setup; choose a larger shell pack if unamplified low-end projection is your priority.

Specs

• Configuration: 4-piece acoustic kit with hardware
• Composition: 16″ x 14″ bass, 10″ x 7″ tom, 13″ x 12″ floor tom and 13″ x 5.5″ snare
• Material: Poplar
• Color: Matte Red

7. PDP Concept Maple PDCM2217BK - Satin Black

Seven-piece maple shell pack with three rack toms and two floor toms.

Seven-piece maple shell pack with three rack toms and two floor toms.

View Price at AmazonView Price at Sweetwater

The PDP Concept Maple is the seven-piece option for players who want a wide tom layout. The Satin Black PDCM2217BK configuration has three rack toms, two floor toms, a 22-inch bass drum and a matching snare. Its European maple shells and True-Pitch tension rods make it a practical upgrade if you already have cymbals and stands.

The extra toms give you room for longer fills and separate high, middle and low voices. You can also take fewer drums to smaller gigs rather than setting up all seven every time. Allow for the additional bags, setup time and floor space when comparing it with one of the five-piece kits above.

The Satin Black finish is matched to the selected seven-piece offers, rather than the older Twisted Ivory variant. Check the full model code when shopping because Concept Maple kits also come in smaller configurations. This is a shell pack; separate stands, cymbals, a bass pedal and a throne complete the setup.

Specs

• Configuration: 7-piece shell pack
• Composition: 8″/10″/12″ rack toms, 14″/16″ floor toms, 22″ bass drum and 14″ snare
• Material: European maple
• Color: Satin Black

8. Pearl Decade Maple DMP905P/C261 - Gloss Deep Redburst

Five-piece maple shell pack with a 20-inch bass drum.

Five-piece maple shell pack with a 20-inch bass drum.

View Price at Amazon

Over the last ten years, Pearl drums have really improved their craftsmanship. The Pearl Decade Maple DMP905P/C, made completely out of Maple, has a sound that’s both bright and deep, for gigs or in the studio.

The colors and finishes, like the Gloss Deep Redburst or Gloss Kobalt Fade Lacquer, let drummers show off their style, not just their beats. I like that you can personalize the drums with simple or eye-catching colors to fit any mood or place.

Looking at the drum hardware, it’s clear that they’ve included professional features you’d normally see on more expensive drum sets. For example, the way the floor tom legs are designed, they let the drum resonate more. The tom arms don’t have gears so you can adjust them very precisely. These small things make a big difference in how good a performance is, giving the stability and accuracy serious drummers need.

Specs

• Configuration: 5-piece shell pack
• Composition: 10″ and 12″ toms, 14″ floor tom, 20″ bass drum and 14″ snare
• Material: Maple
• Color: Gloss Deep Redburst

9. Tama Imperialstar IE52CBOW - Black Oak Wrap

Complete five-piece acoustic kit with hardware and Meinl cymbals.

Complete five-piece acoustic kit with hardware and Meinl cymbals.

View Price at AmazonView Price at Sweetwater

The black oak wrap on the Tama Imperialstar IE52C looks good and starts with a very good sound. The poplar shells make a warm sound that’s surprising for the current price. You can even make the sound better by putting on different drum heads, which is good for drummers who want to change their sound.

This complete kit comes with Meinl cymbals with clear sounds, good for new or somewhat experienced players. But, even though they’re good for the price, professional drummers might not like these brass cymbals and may consider upgrading if they want a more pro-grade sound and resonance.

The hardware looks sleek and is very stable, which should help a drummer keep playing without problems. The stands are strong, and the pedals react well, both important for letting drummers be creative.

Specs

• Configuration: 5-piece complete kit with hardware and Meinl cymbals
• Composition: 22″ bass drum, 10″ and 12″ toms, 16″ floor tom and 14″ snare
• Material: Poplar
• Color: Black Oak Wrap

10. Mapex Armory Studioease Fast AR628SFU-WJ - Roasted Chestnut

Six-piece birch/maple shell pack with a steel Tomahawk snare.

Six-piece birch/maple shell pack with a steel Tomahawk snare.

View Price at Sweetwater

The Mapex Armory Studioease Fast is the six-piece option for drummers who want two floor toms without a third rack tom. The selected Roasted Chestnut AR628SFU-WJ kit uses birch/maple drum shells and includes a steel Tomahawk snare. That makes its snare construction different from the matching wood snares supplied with several other shell packs.

The 10-inch and 12-inch rack toms work with 14-inch and 16-inch floor toms, a 22-inch bass drum and the 14-inch snare. The fast-tom depths keep the rack toms easier to place low over the kick. The extra floor tom adds a lower voice for fills, while also taking more floor and transport space.

SONIClear bearing edges and the suspension mounts are part of the Armory design. Tune each drum for the heads and room you use rather than relying on the shell wood alone. The Roasted Chestnut finish matches the selected offer and image. Cymbals, stands, a bass pedal and a throne are additional purchases.

Specs

• Configuration: 6-piece shell pack
• Composition: 10″ and 12″ toms, 14″ and 16″ floor toms, 22″ bass drum and 14″ snare
• Material: Birch/maple drum shells; steel snare
• Color: Roasted Chestnut

What is an Intermediate Drum Set?

An intermediate drum set suits a player upgrading from an entry-level setup for better shell construction, mounting hardware or electronic-pad response. Many acoustic choices are shell packs, so they do not automatically include better cymbals or a full hardware set. Check the exact package before deciding what your upgrade will cost.

What to look for in an Intermediate Drum Set when buying?

You need to consider a couple of factors when choosing the right intermediate drum set such as your skill level, the quality of the materials, the sound, size, and configuration of the drum, among other things.

Skill level compatibility

Selecting the right intermediate drum set is about finding a sweet spot between the straightforward simplicity of a beginner kit and the feature-rich complexity of a professional setup. The Yamaha Stage Custom Birch, for instance, strikes an ideal balance with its 100% birch shells and 45-degree bearing edges, allowing for nuanced sound quality without overwhelming the player.

Quality of materials

Choosing an intermediate drum set with meticulous attention to the quality of materials is critical for any serious musician. Durable materials such as the birch shells of the Yamaha Stage Custom Birch 5pc, paired with sturdy hardware like its Absolute-style lugs, result in a drum set that not only withstands the rigors of regular practice but also significantly enhances sound quality.

As an intermediate drummer, your kit will be a bridge between early skills and advanced techniques, meaning it will see a lot of use – this is why opting for a set such as the Tama Superstar Classic, which features 6-ply, 5mm thick 100% maple shells, can make all the difference, delivering a beautiful blend of durability and tonal perfection.

Size and configuration

Choose drum sizes that suit your space and playing position. The Yamaha SBP2F50 here has a 22-inch bass drum, while the Catalina Maple has a 20-inch bass and the Midtown uses a 16-inch bass. Compare the complete setup, including cymbal stands and your throne, rather than measuring the shells alone.

Ergonomically, ensure the sizes allow comfortable reach and playability – a kit like the Roland TD316 with adjustable mesh heads can fit a player’s stature and playing posture. Whereas a larger setup, like the PDP Concept Maple 7-Piece, might suit those looking for expansive sonic options and can comfortably maneuver around a larger configuration.

Sound and tone

Prioritizing sound and tone is critical when selecting an intermediate drum set. A high-quality set will offer a wide tonal range, allowing you to adjust and fine-tune your sound to fit seamlessly into any musical genre, from jazz to rock to pop.

The Gretsch Catalina Maple CM2-E605 with its 7-ply maple shells and 30-degree bearing edges, for example, provides warm, resonant sounds that can be dialed in to suit nuanced stylistic demands. Opting for a drum set like these ensures that you have the necessary sound quality to not only practice but also perform confidently across a wide spectrum of music.

Budget and brand reputation

When shopping for an intermediate drum set, a scrupulous approach to budgeting and brand reputation is key. Your willingness to invest reflects the quality and features that you expect from the kit.

Manufacturers like Yamaha and their Stage Custom Birch Drum Set demonstrate a harmony of quality craftsmanship and robust sound, living up to their esteemed reputation. Meanwhile, brands such as Alesis with their Nitro Max Kit showcase technological advances at a competitive price, a testament to their customer satisfaction and reliability in the e-drum market.

Understanding Drum Set Levels

When we differentiate between beginner, intermediate, and professional drum sets, we talk about variations in build quality, materials, and features. Beginner sets are designed for novice players, often made with more affordable materials and lower craftsmanship to keep costs down.

Professional kits, on the other hand, offer top-grade materials, superior build quality, and enhanced features tailored for recording and live performance. Intermediate drum sets occupy the middle ground with better hardware, quality woods, and more refined sound capabilities without the professional price tag.

Selecting the Right Drum Heads

Choosing quality drum heads is critical. The batter heads, the top heads you strike, should be durable and responsive, while the bottom resonant heads are essential for tone control. Brands like Remo and Evans offer a variety of options that can suit an intermediate drummer’s style. For example, Gretsch Catalina Maple CM2-E605 comes with Remo drumheads which are reputable for their sound quality.

The Importance of Cymbals

Cymbals play a pivotal role in a drum set’s overall sound. Intermediate sets may not always include cymbals, requiring separate purchases. Look for ones that blend well with the kit’s sound profile.

Acoustic vs. Electronic Drum Kits

Acoustic kits offer a traditional feel with dynamic control, as seen with the Pearl Midtown MT564C747 kit. On the electronic side, kits like the Alesis Nitro Max Kit and the Roland TD316 provide volume control, space efficiency, and a variety of sounds. Hybrid kits combine both worlds, offering acoustically realistic drumming experiences with technology’s benefits. You can check out the difference between electronic kits and acoustic drum kits if you’re interested further.

FAQs (Frequently Asked Questions)

1. What should I look for in terms of quality when purchasing an intermediate drum set?

When evaluating the quality of an intermediate drum set, inspect the hardware for sturdiness and the drum shells for uniform thickness and seamless construction, which ensures better sound and durability. Check if the drum set includes features like suspension mounts, which improve resonance, and ensure that cymbals and heads are of higher-quality than those found in beginner sets.

2. How important are the materials used for drum shells in intermediate sets?

The materials of drum shells significantly affect sound quality; intermediate sets often feature birch, maple, or mahogany shells, which provide a balance between warm tones and high-end attack. Select the shell material based on the style of music you play; maple offers versatility, birch is excellent for recording, and mahogany has a vintage, dark sound.

3. Does brand matter when choosing an intermediate drum set?

Brand matters to an extent; reputable brands like Pearl, Yamaha, Tama, and Ludwig have a history of quality and customer satisfaction. However, focus on the features and sound that fit your specific needs over brand name alone, and consider trying multiple brands to determine preference.

4. Should I buy new or used when upgrading to an intermediate drum set?

Buying new ensures a warranty and knowledge that the set has no hidden defects, whereas purchasing used can offer significant savings. Consider your budget, the condition of the used set, and any additional costs such as replacing heads or hardware when deciding.

5. What accessories should I consider with my intermediate drum set purchase?

Prioritize accessories that enhance playability and protect your investment, such as high-quality drumsticks, a comfortable drum throne, reliable hardware, cases or bags for transportation, and practice pads for quiet rehearsal. Also consider investing in good cymbals and a metronome for training timekeeping.

Conclusion

And there you have it, fellow drum enthusiasts: my top ten thunderous chariots that carry the rhythm of the gods! From those that whisper in hallowed halls to those that roar in the underground arenas, every set here has the potential to elevate your beat to divine levels – so long as your neighbors sign off on it.

My top pick is the Yamaha SBP2F50 Stage Custom Birch – Raven Black, with its expertly crafted 100% birch shells and air seal system that ensures robust, responsive tones suited for any playing style.

My budget pick is the Alesis Nitro Max, which stands out with its quiet mesh pads, Bluetooth capability, and a rich library of 440+ authentic sounds.

The post The 10 Best Intermediate Drum Sets (2026) appeared first on Electronic Drum Advisor.

Regular snare drum stands are not very well suited for practice pads. They’re usually too short, their claws are too big, and they’re way heavier than required for a practice pad.

The Drumeo PadStand is an outstanding option for mounting 12” drum pads. I tested this with their Quietpad and an older HQ RealFeel pad. They all fit very nicely.

If you have a small practice pad (like a 6” one) check at the bottom to see if it has an 8mm mounting thread. If so, you’d be able to attach it to a cymbal stand instead of using a PadStand!

Drumeo Practice PadStand

8.6

Design

9.5/10

Portability

9.5/10

Sturdiness

8.5/10

Price

7.0/10

Verdict

The Drumeo PadStand is compact and ergonomic. Its thoughtful design, lightweight but sturdy construction, and portability make it an excellent choice for drummers of all levels. Despite being pricier than some alternatives, it’s certainly worth considering. Drumeo really understands the needs of drummers, and that certainly comes through in their product designs.

Pros

• Sleek design with discreet branding
• Lightweight and portable
• The claws have a very secure grip without overhang
• Rotated basket for ergonomic practice
• Extended height for improved posture

Cons

• It’s a bit pricey

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First Impressions

Drumeo Practice PadStand Review

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As far as first impressions go, I was really impressed by its sleek design and attention to detail. The discreet branding and cool blue accents add a touch of personality to the otherwise practical device. Setting it up was a breeze, and its lightweight construction made it easy to move around.

Design – Claws, Height, and Basket

The PadStand is made to fit most practice pads easily. Its shorter claws are one of the main selling points of this stand so you can practice without any constrictions and tiresome overhang hits.

The rotated basket is also very handy, which allows you to rotate it 90 degrees, so you can get it in the exact right position.

Snare stands are generally way too low down for proper placement of practice pads. This makes sense as snare stands are a lot deeper than practice pads. The PadStand is taller than regular snare drum stands for this reason.

What’s the Built Quality Like?

The PadStand is lightweight but it certainly feels sturdy and well-built. At first glance, I thought this might look a bit flimsy, but it’s actually quite a solid unit and it’s very stable when practicing.

Portability

One of the standout features of the PadStand is its portability. The foldable design as well as the added height make for a portable practice tool. It’s compact in size and it can fit in a backpack.

Pricing

While the Drumeo PadStand may be priced higher than many other options on the market, its quality construction and thoughtful design justify the price in my opinion. The enhanced features, such as the rotated basket and extended height, make it a valuable addition to any drummer’s practice setup.

Verdict

The Drumeo PadStand really stands out for its smart design. It’s lightweight, portable, and just does its job extremely well. Its secure grip, adjustability, and ergonomic benefits justify the cost. Drumeo has crafted a product that clearly addresses the needs of drummers, making it a worthwhile investment for enhancing your practice sessions in my opinion.

The post Drumeo Practice PadStand Review (2026) appeared first on Electronic Drum Advisor.

Note: Drumeo sent me this as a free sample for the purposes of reviewing it, but my opinions are my own.

This is an extremely well-thought-out stick bag. Drumeo definitely understands the needs of drummers, and that certainly shines through with this bag.

Drumeo Stick Bag Review

8.7

Functional Design

9.5/10

Aesthetic Design

8.5/10

Durability

9.0/10

Features

9.0/10

Pricing

7.5/10

Verdict

The Drumeo Stick Bag stands out with its great design, quality materials, and extreme attention to detail. Although it’s pricier than some options on the market, its durability and functionality justify the investment, making it a great product, overall, as well as a great gift for drum enthusiasts.

Pros

• High-quality waxed canvas and suede construction
• Capacity to hold 18 pairs of sticks
• Lots of little details like the “rescue stick” sleeve, custom brush sleeve that doubles up as a stick holder, and drum keychain,
• Features lots of compartments for organization
• Very good quality overall

Cons

• It’s a bit pricey
• The design and colors are very nice in my opinion, but they might not appeal to all drummers

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Design

Drumeo Stick Bag

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The first thing that caught my attention about the Drumeo Stick Bag was the aesthetics. The waxed canvas coupled with suede accents not only gives it a premium look but also feels very durable.

The design of the Drumeo Stick Bag is very well thought out.

• The hooks on the top are also used for mounting on the floor tom so the bag is always near when performing live.
• The brush sleeve doubles up as a detachable stick holder. It takes care of your drum brushes while on the go, and when you’re at the kit, you can detach it and mount it on your hi-hat to serve as a stick or brush holder.
• The bag comes with an easily accessible compartment for a “Rescue Stick,” which is a clever little feature for live performance situations.
• The drum key is very nice indeed and it’s really handy to have easy access to it via a keychain directly within the stick bag.

The overall aesthetic is sophisticated and will probably appeal to drummers who appreciate a bag that stands out, in my opinion. One potential drawback is that the design might not be for everyone.

Quality

The materials used (waxed canvas and suede) speak volumes about the bag’s quality. It feels sturdy and capable of withstanding the rigors of frequent travel and use. The reinforced zips welcomed addition and the overall attention to detail is great. I haven’t had the bag for a very long time, but I would be very confident in its durability.

Portability

Given the overall size and dimensions, the Drumeo Stick Bag is spacious yet manageable. The capacity to hold 18 pairs of sticks is more than enough as well as all the compartments for storing additional gear. The brush sleeve is another thing I admire as it keeps the wires straight yet it’s still easily accessible.

Pricing

While the Drumeo Stick Bag does come with a relatively high price tag compared to some other options on the market, the quality, design, and features it offers can make it a worthwhile investment for serious drummers. Not only is this a good investment, but it also makes for a great gift for drum enthusiasts.

Verdict

I’ve been quite impressed by the Drumeo Stick Bag. Once again, Drumeo proves that they really understand the needs of drummers, with another really solid product. While the price may be a bit higher than some other options on the market, in my opinion, this stick bag is worth the investment.

The post Drumeo Stick Bag Review (2026) appeared first on Electronic Drum Advisor.

The following 50 items cover the essentials and useful extras for a drummer when performing. Download the one-page printable gig checklist (PDF) if you prefer a paper copy.

Before you leave

• □ Drumsticks (multiple pairs)
• □ Drum key
• □ Spare drum heads
• □ Drum tuning tools
• □ MoonGel or dampening pads
• □ Cymbal felts and washers
• □ Stick bag
• □ Brushes, rods, mallets (if used)
• □ Setlist
• □ Practice pad
• □ Ear protection
• □ Towels
• □ Water bottle
• □ Snacks/energy bars
• □ Change of clothes
• □ drum gloves (if used)
• □ Flashlight/headlamp
• □ Multi-tool (pliers, screwdriver, etc.)
• □ Phone charger/power bank
• □ Notepad and pen

Load in and build the kit

• □ Snare drum
• □ Bass drum
• □ Tom-toms
• □ Floor tom
• □ Hi-hat cymbals
• □ Crash cymbals
• □ Ride cymbal
• □ Splash/China cymbals (if used)
• □ Drum throne
• □ Kick pedal
• □ Hi-hat stand
• □ Snare stand
• □ Cymbal stands
• □ Tom mounts/hardware
• □ Extra wing nuts for stands
• □ Drum rug/mat
• □ Drumstick holder (attachable to drum kit)
• □ Kick drum patch (for pedal beater)
• □ Backup kick pedal

Soundcheck and stage

• □ Metronome or click track
• □ In-ear monitors or headphones
• □ Extension cords
• □ Power strip
• □ Monitor speaker (if not provided by venue)
• □ Mic clips for drums
• □ Drum mics (if not provided by venue)
• □ Duct tape or gaffer tape

Only for the gig that needs them

• □ Merchandise (if applicable)
• □ Drum machine or samples
• □ Portable fan (for stage comfort)

Choose your gig type

• □ Small acoustic gig: check what the venue supplies before packing extra mics, monitors or power.
• □ Miked or festival show: confirm the input list, mic clips, monitoring, changeover time and any shared backline.
• □ Electronic or hybrid set: check the module, power supply, audio outputs and any sample playback separately. Items 49 and 50 only apply if you use them.

Venue check: Who supplies the kit, cymbals, mics, monitor and power? Put a line through anything the venue has confirmed, but bring the small spares you rely on.

Before you play and before you leave

At soundcheck, test every input you use and make sure you can hear the band. After the set, check the stage, under the riser and around the power outlets before you leave. Count your stands, pedals and stick bags against the printed list.

The post Drummer’s Gig Checklist – 50 Essential Items appeared first on Electronic Drum Advisor.

U2, a long-standing presence in rock music, has consistently delivered their unique sound and electrifying performances for decades. The surprising absence of Larry Mullen Jr., who has made significant contributions to the band over the last 40 years, shocked many fans. U2 introduced Bram van den Berg for that residency while Mullen recovered. That arrangement kept the shows going without making van den Berg a permanent replacement. The distinction matters when watching the Sphere videos below: they document a specific period in the band’s history.

• Larry Mullen Jr. remains U2’s drummer. Dutch drummer Bram van den Berg covered the 2023-2024 Sphere concerts in Las Vegas while Mullen recovered from surgery.
• U2 introduced Bram van den Berg as its temporary Sphere drummer, keeping the residency moving while Mullen took time to recover.
• Mullen took time away from those concerts to prioritize his health; the arrangement did not mean that he had left U2 or retired.
• Bram van den Berg, the Dutch drummer of pop-rock band Krezip, brought his song-focused playing to U2’s Sphere performances.
• This change was not permanent. Mullen is included in U2’s announced 2027 tour lineup, alongside the band’s other three longtime members.

Why is Larry Mullen Jr. Not Playing Drums for U2?

Despite his continuous presence in U2 since the band’s inception, Larry Mullen Jr. did not take his place behind the drum kit when the Irish rockers inaugurated Sphere in 2023. He was recovering from surgery. The band welcomed Bram van den Berg to play the residency, with Mullen’s support, rather than announcing that Mullen had left U2.

Mullen’s absence gave him time to recover after decades of demanding performances. At the time of the 2023 announcement, U2 described him as recovering from surgery and welcomed van den Berg into the drum seat. That public statement explains the temporary arrangement; it does not set a recovery deadline. Mullen is again named alongside Bono, the Edge and Adam Clayton in the band’s subsequent recording and tour announcements.

Who is Bram van den Berg?

Bram van den Berg, the drummer of pop-rock band Krezip from Netherlands, stepped in as Larry Mullen Jr.’s temporary replacement for the Sphere residency. Krezip, led by Jacqueline Govaert, originally formed in 1997 in Tilburg, Netherlands, and van den Berg joined the group in 2005. 

Notably popular in the Netherlands, Krezip is known for its Pinkpop performances and also enjoys recognition in other parts of Europe. Its catalogue continued beyond the five-album total quoted in older profiles. Releases listed on the band’s official site include What Are You Waiting For (2005), Plug It In (2007), Any Day Now (2023) and Music For Máxima (2024), so a fixed old album count gives an incomplete picture.

Van den Berg is from the small Dutch village of Wamel and initiated his musical journey by joining his first band, One in a Million, in 2001 while studying at the Fontys Rock Academy in Tilburg. In 2005, he made his debut with Krezip, and that same year, the band released its third album, “What Are You Waiting For?” In a 2005 interview with Drummerszone, van den Berg described himself as a “song drummer,” emphasizing his focus on serving the song rather than technical prowess.

In addition to his role in Krezip, van den Berg has drummed for other bands, including VanVelzen, Drive Like Maria, and Guild of Stags. He draws inspiration from various rock drummers, citing the likes of Roger Taylor, Taylor Hawkins, and Dave Grohl. Van den Berg’s approach centers on creating a full sound and prioritizing the song, a philosophy reminiscent of iconic tracks like Queen’s “We Will Rock You,” characterized by its memorable, audience-engaging rhythm.

Is this change permanent?

No, Bram van den Berg joined U2 as a temporary replacement for Larry Mullen Jr. at Sphere. The residency ran from September 29, 2023 to March 2, 2024, expanding to 40 shows rather than the earlier 20-show schedule. The video below is a historical example of that temporary lineup, not evidence that U2 has permanently changed drummers.

The earlier expectation that Mullen would return can now be replaced with a firmer reference: Live Nation’s 2027 tour announcement names Larry Mullen Jr. alongside Bono, the Edge and Adam Clayton. The Sphere arrangement gave him time away from those shows; it was not an announcement that he had quit the group.

Conclusion

U2’s Sphere residency involved a temporary lineup change while Larry Mullen Jr. recovered from surgery. Bram van den Berg, the accomplished Dutch drummer from Krezip, filled the drum seat for those Las Vegas concerts. If you are watching a Sphere performance, he is the drummer you will see; that does not make him Mullen’s permanent replacement.

The arrangement was unusual for U2 and surprised many fans, but it allowed Mullen to prioritize his health while the band completed the residency. Van den Berg’s performances remain an important part of that chapter. For the band’s next announced tour, the listed lineup again includes Mullen with his three longtime bandmates, so the answer depends on whether you mean the Sphere shows or U2’s current membership.

Bram van den Berg Featured Image by: Phillip Lebowitz, CC BY-SA 4.0, via Wikimedia Commons

The post Who is the New Drummer for U2? appeared first on Electronic Drum Advisor.

The Alesis Nitro Max kit comes with various upgrades from the previous Nitro model (alesis nitro mesh). I’ll explain the differences between these two versions as well as highlight the Nitro Max’s new features and overall standing as the newest member of the Alesis family.

Alesis Nitro Max At a Glance

• The Alesis Nitro Max is a superior version to the Nitro Mesh kit. It has a larger snare pad, and a slightly larger collection of sounds and kits, in addition to the BFD Player, features Bluetooth connectivity, and comes with a 90-day subscription to Drumeo.
• The Alesis Nitro Max is an 8-piece electronic drum set with a 10” dual-zone snare drum, three 8” toms, three 10” cymbal pads, and a kick pad tower.
• The Nitro Max kit comes equipped with the BFD Player that connects your PC or Mac to your drum kit and turns it into a premium MIDI controller.
• The BFD Player includes 440 sounds and 32 premium drum kits, in addition to 25 onboard drum kits and 15 kits for user custom creation.
• The kit also comes with 60 built-in play-along tracks, 60 free Melodics lessons (included in the 30-day trial), and a 90-day subscription to Drumeo to learn and play.
• The 4-post aluminum rack system offers good stability, flexibility, and even portability (foldable). You also get all the necessary connection cables, in addition to the power supply, drumsticks, and a drum key.

Alesis Nitro Max vs. Nitro Mesh

1. Alesis Nitro Max Kit

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2. Alesis Nitro Mesh Kit

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Both e-drum kits look similar but differ in several ways. Let’s go over the similarities and differences between the two.

Similarities

1. Both Nitro versions are 8-piece e-drum kits that feature a dual-zone snare drum, three mesh toms, three cymbal pads (10″ crash cymbal with choke, 10″ ride, and 10″ hi-hat with foot controller), and kick pad tower.
2. Both come with a 4-post aluminum rack stand with a controller, power supply, drumsticks, a drum key, and a cabling system.
3. Both the Max and Mesh kits come with 60 play-along backing tracks for practice.
4. Both include a 30-day free trial of Melodics (premium subscription) to learn and build a foundation.
5. Lastly, both feature tunable mesh heads and a vast library of sounds to play and experiment with and include a metronome, sequencer, and performance recorder.

Differences

1. While both kits feature 8 pieces, the Nitro Max has a slightly larger snare drum pad (10” dual-trigger mesh) than the Nitro Mesh (8” dual-trigger mesh).
2. The Nitro Max kit has a slightly larger collection of sounds, and drum kits, and includes the BFD Player with additional sounds.
3. The Nitro Max kit also features Bluetooth connectivity that isn’t available for the Nitro Mesh kit.
4. While both kits include a 30-day free trial subscription to Melodics, only the Nitro Max has a 90-day subscription to Drumeo.
5. The Nitro Max e-drum set is a more complete version that comes with better and newer sounds, an integrated phone holder, and an overall more acoustic-like vibe.

Verdict

The Alesis Nitro Max e-drum kit is the newest addition to the Alesis family. It greatly surpasses the previous Nitro version (the Nitro Mesh kit) in a few key points such as a large snare pad (10 inches), a slightly larger sound library and kits (including BFD Player), Bluetooth connectivity to play along to your favorite tracks, and comes with a 90-day subscription to Drumeo. While the Nitro Mesh kit is still a great and affordable option for beginners, the Nitro Max kit is a more well-rounded choice overall.

The post Alesis Unveils The Nitro Max Electronic Drum Set appeared first on Electronic Drum Advisor.

Josh Freese isn’t new to the music scene. With a rich musical background playing alongside bands like The Vandals and A Perfect Circle, his drumming brought a lot to the Foo Fighters’ table. His time with the band belongs to the period before Rubin joined, so older clips of Freese should be understood in that context. The featured photograph on this page shows Freese, rather than the current drummer.

The Band’s Transition

The death of Taylor Hawkins in 2022 sent reverberations through the Foo Fighters and the wider music community, marking a heartrending period of transition for the band. Hawkins was not just a member; his exceptional drumming skills and infectious charisma were integral to the identity and sound of the Foo Fighters.

The band continued making music after Hawkins’ death while also celebrating his life through the Taylor Hawkins Tribute Concerts. The concerts brought the band and Hawkins’ family together with guest musicians. Bringing in another drummer allowed Foo Fighters to return to regular live performances, but it did not erase the songs or performances that Hawkins had helped shape. Those recordings remain a useful starting point for understanding the band’s drum sound.

Introduction of the New Drummer

Josh Freese was introduced as Foo Fighters’ new live drummer during the May 2023 streaming event, Preparing Music for Concerts. He stepped into the role after Hawkins’ death, bringing substantial live and studio experience. The embedded performance is a record of that earlier lineup, rather than an announcement of who plays drums for the band now. Ilan Rubin is the drummer named in the current band lineup.

Freese’s wealth of experience gave him a substantial musical background to bring to the band. Having played alongside various renowned bands and musicians like The Vandals and A Perfect Circle, he brought experience across different styles of rock. That background helps explain why his arrival attracted attention, although it does not tell us the band’s private reasons for choosing him. His Foo Fighters performances can still be enjoyed as part of his wider career.

Josh Freese’s Musical Background

Josh Freese’s musical journey is marked by impressive collaborations, reflecting his versatile talent as a drummer. Before joining Foo Fighters, his drumming prowess was central to notable bands like The Vandals and Devo, allowing him to leave a significant impact on the musical scene, especially punk rock.

Being part of The Vandals, an influential punk rock band, Freese proved his attribute in entertaining audiences with high-energy performances, displaying his skill in complex rhythms and fast-paced beats. His stint with Devo, an eccentric and audacious band, exhibited his adaptability to a diverse range of musical genres.

Through these engagements, Freese not only solidified his reputation in the punk rock world but also demonstrated his capacity to evolve and blend with different music styles. Those qualities were relevant to his time with Foo Fighters, and the performances above preserve that period of his career. They should not be confused with footage of Rubin playing with the current lineup.

Future Expectations for the Band

With Ilan Rubin now on drums, Foo Fighters have moved beyond the lineup shown in the older Freese clips. Rubin’s background includes Nine Inch Nails and Angels & Airwaves, as well as his own project The New Regime. His experience adds another perspective to the band’s drumming styles. For a useful comparison, listen to a complete performance by each drummer rather than judging their playing from a short excerpt.

Some fans questioned Freese’s approach during his early Foo Fighters shows. The criticism reported at the time included comments about the pace of “Everlong” and comparisons with Hawkins’ feel. Those were reactions to particular performances, rather than proof that Freese could not keep time. A faster live tempo and a drummer rushing within a song are different things, and neither claim explains a later lineup decision on its own.

Changing a band member can alter the feel of familiar songs. When comparing Hawkins, Freese and Rubin, listen for the placement of the snare, the space around fills and the relationship between kick and guitar. Use the same song where possible and take the recording date into account. A band’s arrangement or chosen live tempo may have changed along with the person behind the kit.

Responses to a new drummer can include positive, negative and neutral opinions. The reactions to Freese’s early shows belong to that earlier transition, and they should not be presented as a survey of what most fans think today. The most useful reference for a drummer learning the parts is the performance itself: hear the full groove, then compare the fills and transitions with another version.

The band’s current activity includes the album Your Favorite Toy and the Take Cover world tour. Sony’s 2026 album announcement names Rubin alongside Dave Grohl, Nate Mendel, Chris Shiflett, Pat Smear and Rami Jaffee. That establishes the lineup more clearly than an older performance clip. For any particular show, check the band’s own announcement, since an archived video or an earlier tour report describes the lineup at the time it was made.

Conclusion

Foo Fighters’ transition after Taylor Hawkins’ death included Josh Freese’s arrival in 2023 and a later change to Ilan Rubin. Freese’s background with bands such as The Vandals and Devo remains relevant to that chapter, but he is not the band’s current drummer. Keep the dates in mind when watching the embedded performances, which document earlier stages of the band and Freese’s career.

Ilan Rubin is the answer for the current lineup, while Hawkins and Freese remain part of the band’s history. The existing recordings let you hear how different drummers approach the same catalogue without treating one performance as the only possible version. If you are learning a Foo Fighters part, choose the studio recording or a specific live performance as your reference, then listen closely to its groove and dynamics.

Josh Freese Featured Image by: Lipservice21, CC BY-SA 4.0, via Wikimedia Commons

The post Who is Playing Drums for Foo Fighters Now? appeared first on Electronic Drum Advisor.

In this article, we will take an in-depth look at what’s new in the SPD-SX Pro and determine whether it’s worth buying or not.

Roland SPD-SX Pro

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Roland SPD-SX

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For a start, check out the complete list of improvements made to the SPD-SX Pro:

Roland SPD-SX Pro key improvements

• They’ve finally added an input for a hi-hat controller or expression pedal
• Larger colored LCD screen for better usability
• 32GB storage with more than 1,500 audio samples
• A great app for your computer that can optionally be used for editing settings and samples
• Brand-new custom 16-step sequencer that you can assign to a single pad
• Extended inputs and outputs
• Pitch control option for samples
• Sidechain compression

Roland SPD-SX Pro additional improvements

• Additional LED customization options
• Increased crosstalk protection
• Increased pad sensitivity (for the 3 upper pads)
• Automatic sample-rate conversion
• Extended file compatibility
• New sample volume and transient knobs
• Improved search bar
• Improved polyphony (from 20 to 32 voices)
• Master FX On/Off switch
• Extended FX routing
• New Master Compression effect
• Improved Pad Link Function
• Improved Setlist Function
• Improved metronome

Look and feel

At first glance, the Roland SPD-SX and the Roland SPD-SX Pro don’t look very different. They both have 9 playable pads with assignable sounds and customizable LED lights. 

So, what’s new?

Improved LCD screen

SPD-SX Pro features a larger colored LCD screen that makes it easier to see, edit, and play with settings and sounds. Despite this, SPD-SX and SPD-SX Pro have almost the exact same dimensions.

Improved LED lights

The LED lights in SPD-SX Pro go across the entirety of the pad instead of being limited to one tiny button per pad.

They’re also more customizable than the lights in the previous SPD-SX version, as you can change their color, adjust them for each track, and change how they light.

With SPD-SX Pro, you can choose between:

1. Having the light always on.
2. Only having the light on when you play a pad.
3. Making the light react dynamically to the sample waveform.

This makes it easier to play live with SPD-SX Pro, especially in darker environments such as nightclubs and underground venues.

Improved crosstalk protection

Crosstalk is defined as “unwanted electromagnetic coupling,” and it makes a difference in sampling pads because it causes drum players to accidentally trigger samples that are too close to one another. 

If you find that annoying, you should be happy to know that Roland made an effort to increase crosstalk protection in their SPD-SX Pro pad. In addition, they have improved the sensitivity of SPD-SX Pro’s 3 upper pads, which could be hard to trigger in the previous version.

That said, I don’t think crosstalk was much of a problem for the original SPD-SX. It’s far more common to see on lower-end gear such as the alesis samplepad pro.

Internal storage, built-in samples and audio quality

The amount of sounds you can put inside a sampling pad matters! Luckily, Roland decided to double down on the available storage, audio quality, and number of built-in samples contained in the SPD-SX Pro.

Storage

Whereas the SPD-SX had 16 GB of internal storage, the SPD-SX Pro has 32 GB.

Built-in samples

The SPD-SX featured 210 built-in samples, 16 preset kits, and up to 100 personalized kits. The SPD-SX Pro, on the other hand, comes with 1,550 built-in samples, 43 preset kits, and up to 200 personalized kits—a huge improvement from its predecessor!

Audio quality

While the SPD-SX played samples at 44.1 kHz and 16 bits, the SPD-SX Pro plays samples at 48 kHz and 16 bits. Additionally, it converts all imported sounds to these settings automatically, which means you will always experience top audio quality.

File compatibility in the SPD-SX Pro is also extended, allowing for complete .WAV, .MP3, and .AIFF processing.

Inputs and outputs

When it comes to hardware, there’s no question that SPD-SX Pro is superior to SPD-SX. But how do the two compare in terms of inputs and outputs?

Inputs

• The SPD-SX featured 1 stereo input (Line or Mic), 2 trigger inputs, 1 footswitch input, and 1 MIDI input.
• The SPD-SX Pro features 1 stereo input (Line), 4 trigger inputs, 1 footswitch input, and 1 MIDI input.

The new Pro version also comes with an additional trigger input that can be used either for a hi-hat controller or an expression pedal. This is a breath of fresh air as it was a bit frustrating that they previously didn’t have this in the SPD-SX.

When used for the hi-hat controller, this additional input allows drummers to convert the SPD-SX Pro pad into a mini drum kit. When used for the expression pedal, it lets players control audio-effect settings in real time.

Outputs

• The SPD-SX featured 2 stereo outputs (Master and Sub), 1 MIDI output, and 1 headphone output.
• The SPD-SX Pro features 1 balanced stereo output (Master), 4 balanced direct outputs, 1 MIDI output, and 1 headphone output.

Sample editing and app

Making last-minute adjustments to how some samples sound is a must, and the SPD-SX Pro features a decent number of new sample-editing features that are worth mentioning.

SPD-SX Pro’s new sample-editing features

1. Two brand-new knobs in the control panel for automatic sample volume and transient tailoring.
2. A brand-new pitch control option.
3. An improved search bar for finding sounds more easily.
4. Improved polyphony (from 20 voices in the SPD-SX to 32 voices in the SPD-SX Pro).

Wave Manager vs. new dedicated app

Managing, importing, and manually editing samples in the SPD-SX Pro is also way easier, thanks to a new dedicated computer app developed by Roland. This is an optional way to manage and edit your settings through the SPD-SX.

The old SPD-SX Wave Manager was considered to be a non-intuitive sample editor, forcing many drummers to opt for a third-party plugin. The new Roland app puts all of these concerns aside.

With a sleek design, the SPD-SX Pro app allows you to:

• Import audio directly from the computer via USB.
• Edit files in a comfortable, easy-to-use environment.
• Manage, rename, add, and delete sounds in a library.
• Change pad parameters directly on the SPD-SX Pro screen.
• Create and customize kits.

The SPD-SX Pro app is available for macOS 10.15 (or later) and Windows 10 (or later).

Audio effects

If going wild with audio effects is your thing, you’ll be happy to know that the SPD-SX Pro boasts some huge improvements in this particular chapter.

For a start, it comes with an improved Master FX knob with an On/Off switch and two FX control knobs right next to the LCD screen. The expression pedal input mentioned above can be used for controlling audio-effect settings in real-time, which is a must in terms of playability.

But that’s not all:

• The SPD-SX Pro has 4 FX engines instead of 3.
• The SPD-SX Pro features a brand-new sidechain compression option.
• Audio effects in the SPD-SX Pro can be routed through different outputs.
• The Pad Layer EQ in the SPD-SX Pro can be applied to any sample, not just to the Master channel.
• The SPD-SX Pro features a new Master Compression effect.

Functions

Two of the functions included in the old SPD-SX have been drastically improved in the Pro version.

• The Pad Link Function, which lets players link any on-board or external pads to the SPD-SX Pro, features a new software editor that allows you to connect more than twice the number of pads you could connect with the previous version (two).
• The Setlist Function in the SPD-SX Pro lets players create 32 personalized kits for each of the 32 kit groups available. In the old SPD-SX, this function was limited to 20 personalized kits per each of the 8 available kit groups.

The SPD-SX Pro also includes a brand-new 16-step sequencer, which allows you to assign 2 to 16 steps to each pad and fully program them for live shows.

Playability

The SPD-SX Pro is superior to the SPD-SX in terms of playability because it maintains all of the playback features of its predecessor while featuring a few useful, additional options.

Here’s what you can do with both the SPD-SX and the SPD-SX Pro:

• Assign two sounds to each pad (Master and Sub).
• Set an audio-dynamics level for each pad or play each pad at a fixed volume.
• Select between three playback modes: loop, re-trigger each hit, and alternate between start and stop.

Here’s what you can do with the SPD-SX Pro but not the SPD-SX:

• Alternate between Master, Sub, and Both (whenever two sounds are assigned to the same pad).
• Play a sound sequence with a single hit thanks to the new built-in 16-step sequencer.

Click (metronome)

As any reader should know, the built-in click/metronome is an important feature of any drumming device. Fortunately, the SPD-SX click was vastly improved in the new Pro version.

Here’s what you can do with both the SPD-SX and the SPD-SX Pro click:

• Assing a click to each pad.
• Customize the click for tone, beats in the bar, and note value.

Here’s what you can do with the SPD-SX Pro click but not the SPD-SX click:

• Start the click with a pad hit.
• Import your own .WAV click sound (perfect for incorporating backing tracks).
• Use the sampling pad internal click.

Roland SPD-SX Pro

View Price at SweetwaterView Price at Thomann

Roland SPD-SX

View Price at AmazonView Price at SweetwaterView Price at Thomann

Verdict

To sum it up, this is how the SPD-SX and the SPD-SX Pro compare to one another:

All things considered, I firmly believe that the SPD-SX Pro is worth it.

The post Roland SPD-SX Pro vs Roland SPD-SX: Improvements and Comparison appeared first on Electronic Drum Advisor.

Drumming requires a lot of energy and precision. Due to the high exertion and physical demand, drummers will oftentimes make weird faces. They are also emotionally invested in the music so having a weird expression might just be a show of how zoned-in they are!

Drummers Known For Making Weird Faces

1. Lars Ulrich (Metallica): As the drummer for one of the biggest metal bands, Ulrich often looks extremely intense when drumming, with furrowed brows and a tightly set jaw.

2. Keith Moon (The Who): Moon was known for his larger-than-life personality which reflected in his drumming style. He was seen making all sorts of expressions from wide-eyed surprise to exaggerated grins and grimaces. His facial expressions seemed to match the anarchic style of his drumming, often looking as though he was caught up in the pure thrill of the music.

3. John Bonham (Led Zeppelin): Bonham’s intense drumming style often led to his face reflecting the effort and focus needed to perform. His expressions were often serious and concentrated, matching his powerful and intricate drumming technique.
4. Neil Peart (Rush): Known for his precision and intricate performances, Peart’s faces often reflected intense focus and concentration. When he was really caught in the moment, he’d sometimes grit his teeth or press his lips together tightly.

5. Taylor Hawkins (Foo Fighters): Hawkins was known for his powerful, energetic drumming and he often appeared to be thoroughly enjoying himself while playing. His expressions often shifted from intensely focused when hitting complex fills to almost euphoric when the music really gets going.

6. Travis Barker (Blink-182): Barker is well-known for his energetic punk-rock performances. When drumming, he often displays a fierce expression, frequently sticking out his tongue, squinting his eyes or biting his lips, embodying the raw energy of the music he’s playing.

7. Ringo Starr (The Beatles): Ringo’s expressions while drumming were often cheerful, with lots of smiling and nodding to the rhythm, reflecting the joy he found in his music.
8. Dave Grohl (Nirvana, Foo Fighters): Grohl’s intense and high-energy drumming style often results in a range of expressions. From concentration during complex sections to almost a wild, animal-like intensity during heavier parts, his faces often reflect the raw power and emotion of the music.

The Physical Demands of Drumming

Drummers’ faces frequently react as their bodies engage in a hard workout. Their bodies are put through a workout that can be as rigorous as a high-intensity gym session as they perform. Key aspects that contribute to the drummer’s facial expressions include:

• Coordinated limb movements: Drummers need to synchronize their arms and legs to maintain rhythm and strike their instruments correctly.
• Muscle and stamina development: Striking drums with accuracy and speed requires strength and endurance built up through constant practice.
• Adrenaline and sweat: The adrenaline rush of performing combined with the physical exercise causes drummers to perspire, leading to facial expressions related to physical effort and exhaustion.

As these physical demands unfold, the drummer’s face naturally reflects expressions of concentration, exertion, and even discomfort. This phenomenon, known as the “drummer face,” reflects the body’s natural response to intense exercise and demonstrates how passionate and dedicated drummers are to their craft.

Just take a look at Greyson Nekrutman as he recreates the famous Whiplash drum solo:

Emotional Connection to the Music

Musicians often get lost in the music, which greatly influences their facial expressions. If you’ve seen the movie “Soul”, you probably know what I’m talking about. Important factors contributing to these expressions include:

• Immersion in the rhythm: Drummers need to stay connected to the rhythm and beat of the music, which demands an intense focus that often reflects on their faces.
• Emotional portrayal: As drummers feel the emotions evoked by the music, they may unconsciously allow these feelings to manifest in their facial expressions.
• Personalized interpretation: Each drummer brings their unique personality and connection to the music they play, adding another layer of emotional depth that can be seen in their expressions.

As drummers concentrate, it’s only natural that their faces display a wide range of emotions, from joy and excitement to intensity and determination. These expressive faces help convey their passion for the music, and in turn, enable audiences to feel a deeper connection to the performance.

Conclusion

In conclusion, the phenomenon of drummers making weird faces can be attributed to multiple factors: the physical demands of drumming, their emotional connection to the music, and the necessity to engage the audience.

These facial expressions often deepen the connection with the audience, because the drummer shows a glimpse into their emotional state during the performance. In turn, audience members are more likely to feel engaged and drawn into the music.

These expressive faces are a testament to the intense physical exertion and the deep focus required to perform complex rhythms. Furthermore, they showcase the drummer’s emotional investment in their music while harnessing the power of nonverbal communication to captivate the audience.

Lars Ulrich Featured Image by: Alberto Cabello from Vitoria Gasteiz, CC BY 2.0, via Wikimedia Commons

The post Why Do Drummers Make Weird Faces? appeared first on Electronic Drum Advisor.