Drumming ‘in the pocket’ means three things: having great timing, great groove, and serving the music. Playing in such a away allows you to create a ‘pocket’ that gives other musicians in your band space to play.
Striking a great balance between these sometimes subtle concepts is what separates a good drummer from a great drummer.
Every drummer should strive to become a ‘pocket drummer’. When you are playing in the pocket, you are playing with the music, and it sometimes means playing in a sweet spot between timing and groove.
This may be a confusing concept at first, because having great timing allows you to not veer off or have large increases or decreases in timing throughout a song.
However, playing with groove humanizes the beat. It’s those minor subtleties in the placement of your strokes throughout the bar. It’s the minor changes in dynamics and ghost notes.
This can really humanize a beat and make it sound much more musical.
Serving the music is an overarching principle that you should strive for in drumming, which means that your drum beats and fills should be arranged and placed thoughtfully and tastefully in a way that will serve the song as a whole.
It’s not intended as a medium for you to show off. A ‘deep pocket drummer’ does not need to be flashy or have serious drumming chops.
A deep pocket drummer may be technically less adept while still putting in an outstanding drumming performance.
How do you become a better pocket drummer?
Start Serving The Music
This is a point that has been repeated so many times on this blog! As much as you need to strive to improve your drum chops, you need to be careful about how you use them when playing music.
Sometimes all you need is a simple four to the floor beat, sometimes even the best jazz drummers in the world, just need a staple ride cymbal groove with slight changes throughout the song.
What’s amazing is that sometimes the best drummers in the world can make even the most basic of beats sound absolutely amazing! These play these basic beats ‘in the pocket’.
Watch Your Dynamics
Pocket drummers often play with deep dynamics. They know that even the slightest change in their strokes throughout a beat can change the sound.
For example, changing the sticking weight of your hi-hats throughout the bar, having slight accents on the off beats, changing the placement of your strokes slightly off time even, if appropriate!
Don’t Overcomplicate Things (unless that happens to suit the music!)
Pocket drumming does not mean you always have play ON the beat!
Sometimes a song may sound great with polyrhythms and syncopation. This is perfectly fine to do, and it can very well be possible to play these very nicely in the pocket, as long as the songs work well with this type of beat.
Playing the kind of beats does not mean that a drummer is playing out of pocket, as long as they’re playing a tastefully to the song.
Drumming ‘out of the pocket’
Drumming out of pocket is, of course, the complete opposite of drumming in the pocket. It is ANY combination of where the drummer is being too metronomic, is not playing with enough groove, or where they are not serving the music.
Playing very metronomically can mean that the drummer is playing in a very tight manner. There may be playing exactly in time but with very few dynamics or interesting subtle changes to the beat.
The same applies to playing without groove, playing out of pocket can also mean that the drummer is not humanizing the sticking of their drum beats.
Drum machines often use quantization, i.e., where a drum beat is aligned exactly to a grid. This can make it sound very metronomic, and not humanized. Real drummers use slight variations in their playing, and it makes it sound a lot more realistic and more musical.
Here are some examples of playing against the music (of course, these are just examples, and they certainly don’t apply to all styles):
- Adding fills in the wrong places
- Hitting the crash cymbals far too often
- Overcomplicating beats and fills
- Too much showing off!
Playing ‘in the pocket’ is something that we should all strive for as drummers.
It’s something about the feel of playing drums. It’s about the groove, and it’s about serving your audience and your fellow band members.
It’s not something that you will learn directly from the book, you will need to keep practicing, keep performing with others, and improving on the experience of it.
It is something that comes with practice. Try and get feedback from others and listen to your own recordings. Do you sound too tight? It’s too busy? How can you change it? And next time when you’re playing, you can continually improve as much as possible, and eventually become a ‘pocket drummer’