10 of the Best Jazz Drummers of All Time (With Videos)


Jazz Drummers require great technical ability, immense control of dynamics, and solid improvisational skills. Practically every sub-genre of Jazz is very challenging to master. This article lists ten of the best jazz drummers in history.

Make sure to check out the videos of each drummer to get a real flavor of their drumming styles and skills. By the end of it, we guarantee that you’ll be inspired to take up the sticks and learn something new!

1. Buddy Rich

One of the most famous drummers in the history of Jazz, Buddy Rich inspired generations of musicians.

Having performed with the best artists of his time, from Count Basie to Tommy Dorsey, he was also known for his bad temper and his quest for perfectionism, which led him to many rivalries, such as the one with Frank Sinatra.

Buddy Rich was a technical genius. He mastered cross-sticking, stick-tricks, as well as many more virtuoso techniques. His style was mighty and powerful, but he could also play slower rhythms and use softer techniques, such as brushes.

2. Art Blakey

Another legendary drummer, who played with artists such as Thelonious Monk, Dizzy Gillespie, and Charlie Parker (to name just a few), Art Blakey is considered one of the inventors of the modern bebop drumming style.

Fellow drummer Max Roach would refer to Blakey as “the Thunder” underlying his potent, swing-filled drumming.

While Blakey always denied studying music during his time in Africa, which he employed deepening his knowledge of religion and philosophy, his approach to the drums presents a lot of African influences indeed, with complex rhythmical layers and a tribal feel.

3. Elvin Jones

The drummer of Charles Mingus, Miles Davis, John Coltrane, Bud Powell, and many other prominent jazz artists of the post-bop era, Elvin Jones excelled in a number of different techniques and approaches.

He was a master at dealing with polyrhythms and legato phrasings. He also inspired many rock’n’roll drummers, such as Mitch Mitchell and Ginger Baker, with his free-flowing solos, a technical paradise for fellow drummers, and a hypnotic treat for all the other listeners.

4. Gene Krupa

Often considered the founding father of the modern drumming technique (and equipment), Gene Krupa was and still is a great inspiration for a countless number of drummers.

He changed the course of jazz, becoming the first drummer to play solos and indulge in long virtuoso sections, just like a guitarist or a pianist would do. This new approach first came to life in the 1937 song Sing, Sing, Sing, which features a mesmerizing and extremely popular drum solo at the beginning and in various parts of the score.

Krupa also had an important role in building the modern drummer set, collaborating with Slingerland at the creation of some new, revolutionary pieces.

5. Louie Bellson

An accomplished musician, educator, and entrepreneur, Louie Bellson had a variegated and intense life. A life that somewhat resembled his drumming: colorful, rich, and unapologetic.

Bellson left an important mark in the history of drumming, especially as he pioneered the use of two bass drums, later adopted by many rock and pop drummers as well.

6. Roy Haynes

Possibly the most eclectic drummer on this list, Roy Haynes is still grooving now, after spending more than seventy years on stage with some of the greatest jazz artists ever existed.

His experience spans from bebop to fusion, from swing to avant-garde jazz. Among such different styles and sub-genres, Haynes always kept a distinctive and personal drumming approach, based on some innovative use of cymbals, employed as solid rhythmical foundations rather than simple effects, and some very snappy snare drums patterns.

Haynes manages to translate the rhythmical complexities of melodies to his instrument, assigning a prominent role to the drums.

7. Tony Williams

One of the founding fathers of jazz fusion, Tony Williams emerged as a talented and inventive drummer while working with the legendary Miles Davis. Throughout his life, he went on working with prominent musicians, such as Jaco Pastorius, Wayne Shorter, and many others, always bringing his mighty and precise approach to drumming.

Tony Williams was another of those drummers you could recognize at first hearing. His style was powerful but controlled. He was particularly great at polyrhythms, using all the rhythmical layers at his disposal to build a rich and enticing sound.

8. Jack DeJohnette

Another pioneer of jazz fusion and collaborator of Miles Davis, Jack DeJohnette still distinguishes himself as one of the most original and talented drummers in modern music.

His unique style is the result of what we could call a “meditative approach” to the instrument. His presence in the “flow” while playing allows him to come up with inventive, unheard patterns. This peculiar style enriches any of the performances he takes part in, such as the legendary ones with Keith Jarrett in the Eighties.

9. Max Roach

A friend and admirer of Art Blakey, as highlighted in a previous paragraph, Max Roach was also a prominent figure in the jazz scene of the Fifties. He pioneered a bebop style of drumming which is still used by many jazz drummers around the world. He worked with the best artists of his time, such as Duke Ellington and Dizzy Gillespie (just to name a couple).

Roach adopted a whole new method of drumming, to make the rhythmic patterns more flexible and adjustable during solo performances. Instead of using the bass drum, he would highlight the pulse with the cymbals, for example, giving a lighter texture to the drumming parts.

He also pioneered the use of his four limbs independently, creating a whole new technique that is now employed by almost any jazz drummer around.

10. Joe Morello

A master at dealing with odd time signatures, Joe Morello is mostly known for his work with Dave Brubeck.

The challenging tempos and signatures employed by Brukeck’s compositions had no secrets for Morello, who would highlight accents, rhythmical shifts, and breaks using all the resources he had, sometimes even approaching the drums with his bare hands, to get a more tribal and primordial sound.

Surely a drummer to study for any musical student who wants to learn how to make tempo, rather than just keeping it.

In conclusion, these ten jazz drummers surely made their time and influenced many other musicians with their innovative and unique approaches.

Above all, we can learn one precious lesson from them: after years of study and practice, artists should be able to find their own voice, without necessarily fitting in styles, genres, and existing schemes. They all made their own mark on drumming by doing something a little different.

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