This article takes you through the best electronic drum pads currently on the market. These are extremely versatile electronic instruments that can add a new level of sound to your set.
These pads can be used to extend your current setup or they can act as standalone instruments. You can connect sample pads directly to an amplifier or PA system because all sounds are generated internally.
I have personally used many different electronic drum pads extensively. Although high-end drum pads can carry a large price tag, they are vastly superior to entry level pads. However, more competitive options are coming available and I have included the best affordable pads that are currently available.
The Best Drum and Percussion Pads
I am going to tell you the strengths, weaknesses, and purposes of each. I will also do my best to compare important features across models.
Do percussion pads look cool live? Yes! Especially if you are a DJ or producer, some spectators can get a little bored if you’re standing behind a laptop or standard sampler. Smacking electronic pads with drum sticks on stage can really spice things up, and add a whole new dynamic of sounds to your performances.
Most percussion pads can also communicate via MIDI to other digital instruments or DAWs (Digital audio workstations) such as Ableton Live. This opens up a world of possibilities!
Roland Octapad (SPD-30)
The Roland Octapad is one of my most loved electronic instruments. In addition to playing my hybrid kit for bigger shows, the Octapad allowed me to tour around Europe playing electronic music on the street and in small venues with very little hassle. The drum sounds are really excellent in this.
A big plus for me is the extensibility of the SPD-30. You can connect up to 5 external sources (including hi-hat controller). So I would regularly make a mini-electronic kit out of this with a kick pedal, hi-hat pedal, and snare mesh head. A ride or crash cymbal pad would also be a great option.
The phrase looping is excellent on the Octapad. You can loop 3 separate instruments (kits, synth sounds, percussion instruments, etc) with options to delete, mute, pause, etc. Although you are limited to 3 instruments, you can swap them out on the fly. I started using it a surprising amount of times in my shows! Like many electronic instruments, the starting and stopping of these phrase loops can be midi triggered. Therefore you can use it in conjunction with other samplers and devices.
With months of daily playing on this, I never once experienced any crosstalk issues. With a few surprise rain-showers, this device got covered with rain on me a few times. No problems what so ever.
The main drawback, you cannot load your own samples on this device. However, there is such a variety of sounds and professional effects, that you can do without it as a drummer.
So that’s my love affair with the Roland Octapad SPD-30. What a great piece of kit. If it had the ability to load samples and add more kits to phrase looping, I think it would be almost perfect.
The Octapad SPD-30 is a percussion pad. It is built for drummers and percussionists that want to go digital or add electronic sounds to their acoustic set-ups. It is an investment and costs much more than entry-level models. However, the Octapad is leagues ahead of these cheaper options in my opinion.
The Octapad SPD-30 is far superior to the previous Octapad model that was produced in the late 1990’s (the Octapad SPD-20).
Check out my in-depth review of the Roland Octapad SPD-30 for more information on this.
Check out the video below to see Craig Blundell demonstrate the Roland Octapad SPD-30 in action:
The Roland SPD-SX is another very popular model. The main difference is that this is a sampling pad rather than a percussion pad. So it is more built for drummers that want to play custom samples, expand their own set-up, and for DJs and producers adding more triggered sounds into their performances.
The SPD-SX is an excellent instrument. The main advantage that this has over the Octapad is its sampling ability. You can load your own samples onto the SPD-SX. The best way to do this is to prepare your wav files on your computer using audio software (like audacity or more featured options) and then transfer them.
The main reason I choose the SPD-SX over cheaper options is that of its build quality and pad triggering technology.
With cheaper alternative products you can get crazy cross-talk between pads. An example of this is hitting one pad and another one triggers. This can be a problem for drum sounds, but it is much worse if a wrong sample is triggered in the middle of a performance. If you are serious about incorporating a sampling pad into your setup. You definitely need to invest in a quality model like the Roland SPD-SX.
This device has 4GBs of internal memory, allowing for 720 minutes of samples. You can also expand the memory using USB storage. Therefore the total storage here should definitely be sufficient for your needs. Limited storage can be a problem with some samplers, I ran into this with the Korg Electribe sampler, which has a surprisingly limited amount of custom sample storage.
One disadvantage is that you cannot create phrase loops on the fly with the SPD-SX like you can with the Octapad.
So, buy the SPD-SX or the SPD-30 Octapad? I personally choose both. They are both built for different purposes and perform them beautifully. As a drummer, I prefer the Octapad. If you need custom sampling or use it as more of a secondary instrument then the SPD-SX may be the way to go.
The Roland SPD-SX supports up to 4 external pads (either 2 dual zone pads, or 4 single zone pads). You need to get a splitter if you intend to use more than 2 external inputs.
Check out the video below to see Craig Blundell demonstrate the Roland SPD-SX in action:
Yamaha DTX Multi-12
The Yamaha DTX Multi 12 is a Sampling pad that can most closely be compared to the Roland SPD-SX. It has 3 extra pads to the SPD-SX and it has a huge inventory of sounds to choose from. This model has the potential to replace your drum kit and allows you to load custom samples, this is well worth considering.
I think the biggest advantage of the DTX Multi-12 is the ultra sensitive pads. If you are into hand drums like djembes or congas, this is pretty much the only option amongst the percussion pads I am presenting to you. The pad surface can seem a little soft when playing with sticks. This is totally a matter of preference though.
You can also add up to 5 pads externally. There are 3 inputs but 2 of them are dual inputs, where you can input dual zone pads or split them out to two separate single zone pads each through the use of a splitter.
This can make for a compact electronic drum set. Make sure to do your research when choosing external pads. Kick pads and drum pads are pretty universal. But this is not always the case for hi-hat controllers.
The DTX-Multi has only 64MB Internal memory for loading custom samples. I see this as the biggest weakness as it is quite limiting. Compare this to the 4GBs of internal memory that you get in the Roland SPD-SX. Using user interface for this model can also take a lot of getting used to. The menu system is a little clunky and difficult to use. There are a lot of features, but it seems to come at the price of usability.
This is a solid contender as both a sample pad and percussion pads. As a preference, I prefer the feel and features of the Roland Octapad SPD-30 for my own use, or the Roland SPD-SX for onboard sampling. However, this can serve as a great alternative.
Check out the video below to see the Yamaha DX-Multi 12 in action:
Alesis SamplePad Pro
This product promises so much at a much lower price point, making digital drum pads a lot more accessible to people with a lower budget. It is packed with features and it can be a great mid-level model.
I bought this product for a few reasons. The first was because it allows for lots of extensibility with external pads. Therefore you can make your own mini electronic drum kit out of it. Secondly, you can load your own custom samples on it. It has some really desirable features that you would want from more expensive models. Lastly, the price point. This model is considerably cheaper than other options.
If you’re looking for a top-end drum sampler, this won’t fully fit the bill. It’s playability doesn’t fully match the previous models I’ve talked about. However, it can still be a great option.
The SamplePad can also be let down by cross-talk issues. If you have the pads set to a high sensitivity, hitting certain pads can trigger other ones. A firmware update helped this somewhat. However, you may need to lower the sensitivity on some of the pads if you are still having issues.
It can actually be a very decent option. You could load custom samples and have it as a secondary instrument on your kit. This would be at a much lower price point to the Roland and Yamaha models. I did try this out in live performances, and to be honest, it wasn’t too bad. However, it’s not as sensitive as the previous sample pads I’ve talked about. I didn’t really pick up the volume of my strokes as well as higher-end Roland or Yamaha percussion pads.
Verdict: This can be a great cheap option to get into electronic sample pads if you don’t have enough money to spend on the Roland or Yamaha Models. If you are picky about the sensitivity of your strokes, this could be an issue. Cross-talk can also be an issue, but you can decrease this a lot if you lower the sensitivity on one or two problematic pads.
Check out my more detailed review of the Alesis SamplePad Pro.
Note: Alesis also have a smaller version of this, known as the SamplePad 4.
Check out the video below to see the Alesis SamplePad Pro in action:
All-In-One Drum Pads – PylePro Tabletop or Yamaha DD65
These are lower priced options that are designed for drum practicing and casual use. They have plenty of sounds and include foot pedals and built-in speakers, so you are ready to jam out of the box.
These can serve as great gifts to beginner drummers and those that not have dedicated drum sets to practice on. They’re also a lot of fun to play.
The pedals are not amazing, but they work well for the basics.
Both of these have MIDI outputs, which enable you to connect it to audio software to play. They also have audio outputs that allow you to connect to headphones or external speakers.
If you have the choice between the two, I would recommend getting the Yamaha DD65.
Other notable mentions
Although they did not make the final cut for this article, there are some other decent options for electronic drum pads. The KAT Percussion KTMP1 is an entry-level option that includes 4 pads. It is a little limited in its features but I do rate this one highly in terms of value for money.
The Roland Handsonic is a great high-end hand percussion pad that contains internal sounds for many different styles of music. I did not include it in this article as the device is suited to a smaller number of musicians.
Common questions for electronic drum pads
Do I need an amplifier?
It depends on how you plan to use your electronic drum pads. You can connect the audio outputs to an amplifier or PA system via instrument cables. Most drum pads also include a headphone input.
How do I load my own samples?
If your drum pad has the capability of loading custom samples, this is generally done via a USB drive or SD card.
Check the specifications of your device before loading samples. Some require specific formats and bitrates (e.g. 16 bit wav files).
What’s the difference between high-end and low end pads?
The number one difference is build quality. You can see a notable difference in sturdiness and quality in higher end pads. This can make a big difference when gigging regularly. As mentioned previously, low quality pads can trigger cross-talk and other unwanted problems.
On-board sounds of higher end pads are generally of much better quality. Another major difference is both features and speed of the device, particularly with regard to switching kits while loading external samples.
How do I record my electronic drum pad?
If you want to record your electronic drum pad to your computer, then you will generally need an audio interface. You connect the outputs from your pad to the inputs on the interface via instrument cables. The interface usually connects to your computer via USB.
You can also connect most electronic drum pads to computers and other music gear via MIDI. Therefore you can trigger drum sounds from music production software instead of using the on-board sounds on your drum pad.
Can I connect other e-drum pads to my sample pad?
Check the external inputs of the pad. You may be able to connect other e-drum and cymbal pads, such as rubber or mesh pads directly. Some devices also include a specific input for a hi-hat pedal, which you can use the open/close functionality of the hats.
I usually recommend adding a kick pad if possible.
So those are the main percussion and sample pads that you should consider. Whether you want to add electronic elements to your acoustic playing or want a standalone instrument or sampler, electronic pads can be a great option to add to your performance.
The Octapad SPD-30, SPD-SX, and Yamaha Multipad are the high-end options that are very suitable for touring and performances. The all-in-one options are for more beginner and casual use. The Alesis SamplePad Pro comes somewhere in the middle.
If you have any comments or questions on any of the pads in this article then please write a comment below. I promise to answer every comment!
Thinking about buying a full Electronic Drum Set?
Electronic drum sets can be a lot more reasonably priced than you might expect. Check out our updated buyer’s guide and reviews for the Best Electronic Drum Sets. They can help replicate the experience of playing an acoustic kit far more than electronic percussion pads. If you are just starting to learn drums then I would highly recommend getting one of these.
If you have any questions on Electronic Drum Pads then be sure to ask below. I always answer every comment!
Thanks for reading,